The present study retested previously reported empirical evidence suggesting an iconic relation between sound and emotional meaning in poetry. To this end, we analyzed the frequency of certain phoneme classes in 48 German poems and correlated them with ratings for emotional classification. Our analyses provide evidence for a link between the emotional classification of poems (joyful vs. sad) an...

Conveying scientific content with accuracy and fluency takes practice and requires deep understanding of the concepts being conveyed. This depth of knowledge comes from internalizing information and constructing it into a form that is unique and coherent to the individual. Often in science classrooms there is little or no opportunity for students to practice this type of thinking, activities th...

With the recent advances of neural models and natural language processing, automatic generation of classical Chinese poetry has drawn significant attention due to its artistic and cultural value. Previous works mainly focus on generating poetry given keywords or other text information, while visual inspirations for poetry have been rarely explored. Generating poetry from images is much more cha...

Artworks with sad and affectively negative content have repeatedly been reported to elicit positive aesthetic appreciation. This topic has received much attention both in the history of poetics and aesthetics as well as in recent studies on sad films and sad music. However, poetry and aesthetic evaluations of joyful and sad poetry have received only little attention in empirical studies to date...

We test the Consensual Assessment Technique on recent digital poetry, using graduate students in Experimental Digital Media as judges. Our judges display good interrater agreement for the best and worst poems, but disagree on others. The CAT by itself may not be suitable for use on digital poetry; however, the behavior of quasi-expert judges when attempting this task gives us clues towards evid...

Contemporary poetry appears in a diverse range of forms and medial constellations: in spoken word events live on stage, on audio CDs – spoken by the poets themselves or by professional speakers, at times accompanied by music or beats –, in YouTube videos, as entertaining ‘poetry clips,’ as artistic poetry films in art installations in museums, public spaces or the cinema. Finally, there is a wi...